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Post by Einhorn on Nov 20, 2022 16:42:45 GMT
Dissenting opinions have not been removed, as far as I'm aware. Just about every one of us will have loved ones who fall into one of the groups of people the Nazis murdered, whether it's handicapped people, non-'Aryans', gay, etc. You really went all out when you decided to test the limits of peoples' patience with this thread, didn't you, Danny? No half-measures for you.
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Post by colbops on Nov 20, 2022 16:44:50 GMT
Dissenting opinions have not been removed, as far as I'm aware. Going back to your OP 'was the Third Reich a cultural desert', no of course it wasn't Did the Nazi's try to change German Culture, of course they did. Did they succeed - for a time yes. Did it last, of course not. One of the things that stand out about the Nazi's was how they used every lever they could to get as much of the German population behind them and working towards their goals as possible. In many respects they attempted what you'd like to see happen with British culture. They attempted to impose a culture on the German people. They did it by looking to the past and selling what they were trying to impose by presenting an idealised version of what German culture was in the past, and what had been stolen from the German people. They gave it a racial connotation and built their culture around the 'Arian Race'. They tried to create a shared history for this 'race' they created - much of it invented. They attempted to impose this new culture by controlling the arts and the media, through their architecture, through existing institutions they adapted, and new institutions they created - The Hitler youth for example. They made it difficult for people who didn't embrace the culture they were trying to instil and incentivised / rewarded those who did. Much of the effort the Nazi's put into the culture lever worked in the first instance, some of it even lasted all the way to their defeat. Most sadly it was the impressionable young that clung to it until the end, those who didn't know any different were the most indoctrinated by the imposed culture of the Nazis. That was apparent with the very young being armed and fighting to the bitter end while the older and wiser (particularly those at the top of the Nazi tree) started deserting the culture and wider principles of the regime, and ran like rats from the sinking ship. Once the Nazi's time was over nearly everything they imposed culturally was washed away, demonstrating how culture imposed will never last in the way a culture that evolves does, and can continue to hold onto some aspects over the longer term, even as it continues to evolve.
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Post by Montegriffo on Nov 20, 2022 16:47:14 GMT
A report has been made that posts about the definition of art fall outside the narrow confines of the OP's topic. In order to remain consistent in the application of rules I am going to remove all such posts including my own. Please try to stay on topic in future. For the avoidance of confusion, I did not make that report. Can confirm. Also none of the posts removed referenced the architecture of the Holocaust unlike previously deleted posts.
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Post by Dan Dare on Nov 20, 2022 16:54:40 GMT
colbops : I think we all know what the Nazis did, and why they did it. And most of us will have a good idea of what happened after the fall of the Third Reich under the auspices of the occupying powers. But that's not what this thread is about. It's about whether or not they turned Germany into a cultural desert, which is one of the charges often laid at their door. In my view, it's important to be painstakingly even-handed when considering historical questions and not to go off half-cocked with knee-jerk emotive responses often more intended to impress peer-group members than get to the truth of a matter. I did note you disagreed with the proposition in the thread title, so good for you.
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Post by Einhorn on Nov 20, 2022 17:03:12 GMT
colbops : I think we all know what the Nazis did, and why they did it. And most of us will have a good idea of what happened after the fall of the Third Reich under the auspices of the occupying powers. But that's not what this thread is about. It's about whether or not they turned Germany into a cultural desert, which is one of the charges often laid at their door. In my view, it's important to be painstakingly even-handed when considering historical questions and not to go off half-cocked with knee-jerk emotive responses often more intended to impress peer-group members than get to the truth of a matter. I did note you disagreed with the proposition in the thread title, so good for you. There are serious intellectual discussions to be had on countless subjects. For that reason, a Mind Zone that filters out dross is a very good idea. But there's potential for abuse. Society tolerates those who seek to defend the Nazis, but only on the strict condition that it gets to give a full response. That means holding the Nazis up to ridicule. I feel that Dan has acted outside the spirit of the Mind Zone, and is in fact using it as a safe zone to peddle his bile. It's cowardly. He should open all future threads on Nazi and white supremacist topics where they can be met with the response they deserve.
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Post by Einhorn on Nov 20, 2022 17:25:41 GMT
The Mind Zone has special protections and its contributors have special privileges. Instead of stamping out someone's thread (however nasty), it might be nice if the mods could just move it outside the Mind Zone area if they feel it is undeserving of the Mind Zone's special privileges.
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Post by jeg er on Nov 20, 2022 17:40:40 GMT
Dissenting opinions have not been removed, as far as I'm aware. I can't speak for Darling Heino, since he's on block. who said they had?
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Post by colbops on Nov 20, 2022 17:45:50 GMT
colbops : I think we all know what the Nazis did, and why they did it. And most of us will have a good idea of what happened after the fall of the Third Reich under the auspices of the occupying powers. But that's not what this thread is about. It's about whether or not they turned Germany into a cultural desert, which is one of the charges often laid at their door. In my view, it's important to be painstakingly even-handed when considering historical questions and not to go off half-cocked with knee-jerk emotive responses often more intended to impress peer-group members than get to the truth of a matter. I did note you disagreed with the proposition in the thread title, so good for you. Let me remind you of your OP and the thread title: "The Third Reich was a cultural desert" "The common wisdom is that as a result of expelling the Jews and suppressing artistic and cultural forms that were inimical to National Socialist ideology the Third Reich turned itself into a stagnant backwater in the cultural sense, and Germans were deprived of cultural enrichment until the Nazis were turned out and pluralism returned. But is it true?" Was the Third Reich a cultural desert - Of course not. Anyone who knows anything about Nazi Germany would understand that the Nazis imposed an idealised version of what they claimed the 'German Culture' once was on the German people - much of it invented. I question what you call common wisdom has ever been considered common wisdom, since culture is somewhat subjective. Do you have any evidence to support this as a commonly held view or is it just your opinion? Germans under the Nazis were not deprived of cultural enrichment either. The Nazis took great pains to impose a rich cultural identity on the German people as yet another strand of control to help unite German people and get them to rally to the Nazi cause. They were comprehensive in their approach to this. They supported Art, Music, literature, Sport, Architecture, they adapted and introduced new structures as long as those things were done in a way that aligned with their narrative and cause. As I said in my previous post. Those that tended to buy into that imposed culture more completely were the youngest, leading to rather unfortunate consequences. That is the truth of the matter from an objective, dispassionate viewpoint. You can keep posting up examples of architecture, art, music etc during the Nazi years as much as you like but you are just providing examples which are both subjective and speak to what is a false premise that you've set up. As you've mentioned it, if anything German culture and identity was probably harmed, as much if not more, in the period between the fall of Nazi Germany and the fall of the Soviet Union owing to the fact that the country was split into two, with the two parts managed in very different ways. Only as Germany was unified were the German people once again united. At that point after a difficult period of adjustment they started to grow and explore what it meant to be German with ever increasing confidence. Who knows what German cultural norms would exist today had WW2 and the Nazis never have happened, who knows. Would it have been richer or better, impossible to answer as it it completely subjective. Does it really matter at this point. Probably not
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Post by Toreador on Nov 20, 2022 21:14:06 GMT
Well since you only managed two lines and they were in the plonker zone. It doesn't seem so long ago that you were accusing Aury of shit-stirring, Sal. Dan wanted a Nazi Appreciation thread. He's got it. I did and I was right. I suggest you pull his posts up, have a read. Dan wanted a discussion which has not transpired despite his perseverance. On the matter of art, technique is vitally important, both in terms of how to paint and how to compose.
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Post by jeg er on Nov 20, 2022 21:28:20 GMT
It doesn't seem so long ago that you were accusing Aury of shit-stirring, Sal. Dan wanted a Nazi Appreciation thread. He's got it. I did and I was right. I suggest you pull his posts up, have a read. Does that include that post which you made up on my behalf 0
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Post by Baron von Lotsov on Nov 20, 2022 21:44:39 GMT
Churchill's watercolours had far more artistic value and he still found time to win two world wars and suppress the Irish. More like skiving off out of harm's way with the other elite and doing a BBC broadcast every now and again to get the proles into battle.
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Post by Montegriffo on Nov 20, 2022 21:53:08 GMT
Churchill's watercolours had far more artistic value and he still found time to win two world wars and suppress the Irish. More like skiving off out of harm's way with the other elite and doing a BBC broadcast every now and again to get the proles into battle. Blasphemy!!!
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Post by Deleted on Nov 21, 2022 4:52:40 GMT
I would agree with colbps' post a little way above concerning how the nazis (or any other fascist regime for that matter, including Christian and Islamic ones) take control of culture and the arts and promote their own ideology. This isn't culture as we might like to know it but rather a form of state propaganda that stifles true creativity and especially stifles any artistically oriented protest.
Because Rodin was a rather revolutionary artist in that he did not conform to the strictures of certain conventions that were expected of great art (especially state art) his beautiful, compassionate sculpture was given the shove at an exhibition and placed at the back. But it now stands in Calais, where it belongs. At the time Rodin and his generation were flouting the tight-arsed conventions imposed on creative expression and going wild as far as the bourgeoisie were concerned. They did not like full on peasant emotion about war or misery. They wanted convention-strapped expression and comfortable ideas of what art was or should be. But the Burghers were real people in bronze, first made in clay by the artist's moulding hands and so they remain a depiction of ordinary folk. It is a patriotic piece, but made in a different way. They didin't like it uppem. And the same goes for many other artists of the time, especially Van Gogh and Toulouse Lautrec, etc. Wildness was entering the hallowed precincts of the academic approach and this unnerved people but thrilled those who enjoyed the new revolutionary spirit.
The nazis fall into the same category as the apartheid regime of South Africa with regard to the depiction of art for the purposes of state propaganda. (The Communists have done the same thing everywhere.) Huge imposing skyscrapers and stern faced, large heads of political leaders. Incredibly po-faced art and literature. But, beneath all this were the true artists and writers who produced wonderful works that didn't conform. People forget this or, worse, don't know about it. In time, the regime fell and art reasserted itself. Flowers still bloom in cracks is how I see these phenomena.
I see a lot of similarities between the harsh, glory oriented architecture of the Soviet era and the same kind of thing in nazi Germany's productions. Yes, there is an appreciation of the past and heritage that has made the nation, but there is also the new, revolutionary glory that almost always encompasses starkness, geometric lines, sharp corners, preciseness and size. I am reminded of the Norman castles and cathedrals. Same kind of will and domination in these monumental structures for similar ends. Over arch, dominate and overpower with size, breadth and weight. Very masculine and warlike and lacking any nod to Nature or the female. Prison blocks rearing over the people, like the dreadful Norman castle looming over Norwich.
What is really different about any of these regimes? Not much, in essence. What is similar is the need to frighten the people into submission and awe. Which reminds me of another regime that used this expression to scare the Iraqis in Bush's debacle in the WMD fiasco. Shock and awe. A favourite ploy of the true fascist overlord.
So when discussing the nazis and how much anyone may admire or detest them, don't forget to add in a similarity in all overbearing civilizations, including the Empire of Rome and the Caesars who turned themselves into gods.
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Post by Equivocal on Nov 21, 2022 7:08:36 GMT
I would agree with colbps' post a little way above concerning how the nazis (or any other fascist regime for that matter, including Christian and Islamic ones) take control of culture and the arts and promote their own ideology. This isn't culture as we might like to know it but rather a form of state propaganda that stifles true creativity and especially stifles any artistically oriented protest.
Dan would, no doubt, prefer the position taken by the anonymous author, Charles, A., and cited by him earlier from The Journal of Historical Review (caution; reference from philo-Semitic Wikipedia): While the above appears, prima facie, a reasonable argument (art transcends politics), does art remain art if it is presented other than in its creator's original form? Professor London, in the same article cited by Mr(?) Charles, gives some examples detailing the 'changes' and accommodations put in place by the regime:
Given these examples of cultural vandalism, I tend to agree with Vanna that Nazi culture was not culture in the sense most of us understand, but a massive exercise to inculcate the population in Nazi propaganda.
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Post by Dan Dare on Nov 21, 2022 9:55:44 GMT
Cultural presentations have always and are still being adapted to suit the political tenor of the times. To go along with Othello's 'decaffeinated hue' I'd mention the recent Royal Opera House production of The Magic Flute in which the evil Moor Monostatos and his troupe of Moorish slaves - very unsavoury characters all - were presented in non-blackface. And then there was the latest National Theatre production of Amadeus in which the role of Salieri was taken by the South African Lucian Msamati, with the parts of the Venticelli who appear as if a Greek Chorus in almost every scene being taken by actors of just as dark a hue. And then there's the BBC, but perhaps we shouldn't open that particular can of worms.
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