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Post by Toreador on May 13, 2023 20:07:13 GMT
benny , we could always set up one of thsoe independent arbiters of stolen treasure the british nicked , they way they did with the nazi loot , until the rightfull claimants won the court case.
As a god fearing man , what do you think ? surely you disaprove in strongest terms of commandment number 8 ?
Nah. Make it into a tie pin for our glorious king until Modi proves it belongs to India . I hear Carmilla farted on it too. Give it back to them and stop their foreign aid forever.
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Post by Bentley on May 13, 2023 20:12:43 GMT
Nah. Make it into a tie pin for our glorious king until Modi proves it belongs to India . I hear Carmilla farted on it too. Give it back to them and stop their foreign aid forever. We should make the claimant countries play rock paper scissors for it .
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Post by Montegriffo on May 13, 2023 20:15:17 GMT
Give it back to them and stop their foreign aid forever. We should make the claimant countries play rock paper scissors for it . How about Maxim gun, spear, leather shield?
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Post by Bentley on May 13, 2023 20:19:22 GMT
We should make the claimant countries play rock paper scissors for it . How about Maxim gun, spear, leather shield? That too.
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Post by Ripley on May 13, 2023 20:19:47 GMT
Have they been returned? The Elgin marbles consist of 75 metres of Parthenon frieze, 15 metopes and 17 sculptures which were removed by Lord Elgin in the early 19th century when he was ambassador to the Ottoman Empire which ruled Greece at the time. The British Museum bought the marbles in 1816. Greece disputes the claim that the marbles were legally acquired by Elgin and has been asking for their return for decades. No,I’m asking why anybody thinks they should. Clearly some do but thus far nobody will say why. I think they should be returned because they are part of Greece's cultural heritage. Here's why I am persuaded: 1. Lord Elgin action’s illegality: Thomas Bruce, then British ambassador in Istanbul, did not have the legal right to remove (in 1801) the ancient masterpieces from the Parthenon. Officially, Elgin obtained a ‘firman’ from the Ottoman authorities but when the British Parliament asked to examine it, he couldn’t submit it. What he submitted was an italian translation of the official document. I reproduce from an interesting article of the American Committee for the Reunification of the Parthenon Sculptures, Inc: “Specialists in Ottoman Law point out that the document does not carry the signature and seal of the Sultan or his customary invocation to God, and without them, Elgin and by extension the British Museum have no legal evidence of ownership of the Parthenon Sculptures” (Newsletter, Nov.2008). Therefore, the argument of the British Museum’s administrations that the Sculptures consist “legal property of the museum” is doubted. How proper is to base the ‘legality’ of Parthenon Marbles’ ownership on a translated version of a letter probably produced by a low-ranked Ottoman official? 2. The precedent cases of artifacts restitution: Two years ago, the Los Angeles-based J.Paul Getty Museum returned to Greece a 4th century BC Macedonian gold wreath as well as a 6th century BC marble statue of a woman; eight years ago, in 2001, the same museum had handed back to Italy almost 500 ancient objects. Going back three years ago, in September 2006, the Heidelberg University of Germany handed over to Greece a small piece of Parthenon’s north frieze. In 2008 the Vatican decided to give back a Parthenon fragment, while on the same year a British court ordered the return of a Byzantine icon which had been stolen 30 years ago from a Greek monastery. Furthermore, during last September, in a gesture of meritorious goodwill Italy gave back to Greece a fragment of the Sculptures which had been acquired by a museum in Palermo, Sicily; its worthy of remark that the Italian President Giorgio Napolitano personally presented the restored fragment to his Greek counterpart Karolos Papoulias. 3. Complete view of Parthenon: Almost 99% of what survives of Parthenon’s masterpieces is exposed in London and Athens According to Professor A.M Snodgrass of Cambridge University, “among these pieces, the British Museum possesses fifty-five of the fifty-six frieze slabs, all twenty of, the pediment figures and fifteen of the sixteen metopes, nearly 98% in total” (Appendix B, British Committee’s submission to the Select Committee of the House of Commons). But the removed Marbles consist core part of the whole architectural environment of the Acropolis and their position is in sight of the building to which they actually belong and not in the hall of a museum in the other side of Europe. As Professor Snodgrass writes “if the aim is to investigate the meaning attached to the original design as a whole, it would be a huge gain to have virtually all the surviving material in one location” – that location is the New Acropolis Museum, in the shadow of the Parthenon. The visitor in the renowned British Museum sees some random parts of the Parthenon, along with other ancient masterpieces of other civilizations and historical periods. But if the Sculptures will be exhibited in the modern Acropolis Museum, the visitor will have the great opportunity to appreciate them in their original environment, in sight of the Parthenon and very close to other known ancient Athenian sites (e.g. ancient market, Olympic Zeus Temple etc). 4. A UNESCO World Heritage Site dismembered: The Acropolis’ Parthenon consists a unique case of a crudely dismembered ancient building. What Lord Elgin did in the start of the 19th Century was an action of disgrace, against a monument which stances a landmark of Western Civilization. Because the actual meaning of Parthenon’s appreciation is in its unique universal value as a great symbol of Democracy – therefore, a gesture of respect which would cancel Elgin’s irreverent act would be the restoration of the removed artifacts and the reunification of the twenty-four centuries old monument. 5. Public Opinion’s stance: If the restitution of the Marbles was fully dependent on what people think, then the British Museum should have handed them back to Greece. According to a poll conducted during 2008 by the British Ipsos-Mori firm (2,109 persons in 198 UK locations), 69% of those who were familiar with the issue were in favour of Sculptures’ restitution to Greece, while only 13% expressed opposition. In comparison with a poll conducted in 2002, there is a 7% increase in the number of the British people who support the Marbles’ restoration. Previous polls, conducted in the United Kingdom during the 90s, had similar results, proving that the majority of Britons (who are familiar with the issue) are in favour of Sculptures’ restitution. 6. International Pressure: The campaign for the restoration of the ancient masterpieces back to Greece has gained international recognition. From Australia to the United States, significant celebrities from the political and cultural scene, as well as distinguished scholars, have favoured the Parthenon Sculptures’ Restitution. International organizations such as the European Parliament and UNESCO have formally supported that aim, while politicians from various countries have expressed their keen interest towards the reunification of the Parthenon. For example, in the UK, the late Robin Cook, MP and Secretary of State (1997-2001), was in favour of Sculpture’s restoration. The former Mayor of London, Ken Livingstone, had said that the Marbles “should return home once there is a proper place for them there”, while the Labour Euro-MP Alfred Lomas has repeatedly urged the British government to take positive initiatives on the issue. Moreover, in 2000, U.S. Senator Peter Fitzgerald of Illinois introduced a resolution (S.Con.Res 127) in which he expressed the “sense of the Congress that the Parthenon Marbles should be returned to Greece”. 7. A European Cultural Heritage Issue: Except from a bilateral issue between Greece and the United Kingdom, the case of Parthenon’s reunification is a matter of E.U.’s common Cultural Heritage. On January 1999, the European Parliament adopted a declaration in which it assured its support “for the return of the Elgin marbles to Greece, reflecting the view held by the majority of the British public on this matter and international instruments designating the Parthenon a world cultural heritage site”. According to Professor Francesco Buranelli, the head of the Pontifical Commission for the Cultural Heritage (Vatican), Lord Elgin’s act “left a deep wound in European cultural sensitivity”. That needed sensitivity on Europe’s Cultural Heritage is mentioned in Article 151 of the E.U. Treaty, which stipulates that the Community must support and supplement action by the Member States in order to conserve and safeguard cultural heritage of European significance. The Athens Parthenon is definitely Europe’s landmark monument, epitomizing its historical, political and cultural roots. www.elginism.com/new-acropolis-museum/eight-reasons-why-the-elgin-marbles-should-be-returned-to-greece/20090225/1754/
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Post by wapentake on May 13, 2023 20:33:21 GMT
No,I’m asking why anybody thinks they should. Clearly some do but thus far nobody will say why. I think they should be returned because they are part of Greece's cultural heritage. Here's why I am persuaded: 1. Lord Elgin action’s illegality: Thomas Bruce, then British ambassador in Istanbul, did not have the legal right to remove (in 1801) the ancient masterpieces from the Parthenon. Officially, Elgin obtained a ‘firman’ from the Ottoman authorities but when the British Parliament asked to examine it, he couldn’t submit it. What he submitted was an italian translation of the official document. I reproduce from an interesting article of the American Committee for the Reunification of the Parthenon Sculptures, Inc: “Specialists in Ottoman Law point out that the document does not carry the signature and seal of the Sultan or his customary invocation to God, and without them, Elgin and by extension the British Museum have no legal evidence of ownership of the Parthenon Sculptures” (Newsletter, Nov.2008). Therefore, the argument of the British Museum’s administrations that the Sculptures consist “legal property of the museum” is doubted. How proper is to base the ‘legality’ of Parthenon Marbles’ ownership on a translated version of a letter probably produced by a low-ranked Ottoman official? 2. The precedent cases of artifacts restitution: Two years ago, the Los Angeles-based J.Paul Getty Museum returned to Greece a 4th century BC Macedonian gold wreath as well as a 6th century BC marble statue of a woman; eight years ago, in 2001, the same museum had handed back to Italy almost 500 ancient objects. Going back three years ago, in September 2006, the Heidelberg University of Germany handed over to Greece a small piece of Parthenon’s north frieze. In 2008 the Vatican decided to give back a Parthenon fragment, while on the same year a British court ordered the return of a Byzantine icon which had been stolen 30 years ago from a Greek monastery. Furthermore, during last September, in a gesture of meritorious goodwill Italy gave back to Greece a fragment of the Sculptures which had been acquired by a museum in Palermo, Sicily; its worthy of remark that the Italian President Giorgio Napolitano personally presented the restored fragment to his Greek counterpart Karolos Papoulias. 3. Complete view of Parthenon: Almost 99% of what survives of Parthenon’s masterpieces is exposed in London and Athens According to Professor A.M Snodgrass of Cambridge University, “among these pieces, the British Museum possesses fifty-five of the fifty-six frieze slabs, all twenty of, the pediment figures and fifteen of the sixteen metopes, nearly 98% in total” (Appendix B, British Committee’s submission to the Select Committee of the House of Commons). But the removed Marbles consist core part of the whole architectural environment of the Acropolis and their position is in sight of the building to which they actually belong and not in the hall of a museum in the other side of Europe. As Professor Snodgrass writes “if the aim is to investigate the meaning attached to the original design as a whole, it would be a huge gain to have virtually all the surviving material in one location” – that location is the New Acropolis Museum, in the shadow of the Parthenon. The visitor in the renowned British Museum sees some random parts of the Parthenon, along with other ancient masterpieces of other civilizations and historical periods. But if the Sculptures will be exhibited in the modern Acropolis Museum, the visitor will have the great opportunity to appreciate them in their original environment, in sight of the Parthenon and very close to other known ancient Athenian sites (e.g. ancient market, Olympic Zeus Temple etc). 4. A UNESCO World Heritage Site dismembered: The Acropolis’ Parthenon consists a unique case of a crudely dismembered ancient building. What Lord Elgin did in the start of the 19th Century was an action of disgrace, against a monument which stances a landmark of Western Civilization. Because the actual meaning of Parthenon’s appreciation is in its unique universal value as a great symbol of Democracy – therefore, a gesture of respect which would cancel Elgin’s irreverent act would be the restoration of the removed artifacts and the reunification of the twenty-four centuries old monument. 5. Public Opinion’s stance: If the restitution of the Marbles was fully dependent on what people think, then the British Museum should have handed them back to Greece. According to a poll conducted during 2008 by the British Ipsos-Mori firm (2,109 persons in 198 UK locations), 69% of those who were familiar with the issue were in favour of Sculptures’ restitution to Greece, while only 13% expressed opposition. In comparison with a poll conducted in 2002, there is a 7% increase in the number of the British people who support the Marbles’ restoration. Previous polls, conducted in the United Kingdom during the 90s, had similar results, proving that the majority of Britons (who are familiar with the issue) are in favour of Sculptures’ restitution. 6. International Pressure: The campaign for the restoration of the ancient masterpieces back to Greece has gained international recognition. From Australia to the United States, significant celebrities from the political and cultural scene, as well as distinguished scholars, have favoured the Parthenon Sculptures’ Restitution. International organizations such as the European Parliament and UNESCO have formally supported that aim, while politicians from various countries have expressed their keen interest towards the reunification of the Parthenon. For example, in the UK, the late Robin Cook, MP and Secretary of State (1997-2001), was in favour of Sculpture’s restoration. The former Mayor of London, Ken Livingstone, had said that the Marbles “should return home once there is a proper place for them there”, while the Labour Euro-MP Alfred Lomas has repeatedly urged the British government to take positive initiatives on the issue. Moreover, in 2000, U.S. Senator Peter Fitzgerald of Illinois introduced a resolution (S.Con.Res 127) in which he expressed the “sense of the Congress that the Parthenon Marbles should be returned to Greece”. 7. A European Cultural Heritage Issue: Except from a bilateral issue between Greece and the United Kingdom, the case of Parthenon’s reunification is a matter of E.U.’s common Cultural Heritage. On January 1999, the European Parliament adopted a declaration in which it assured its support “for the return of the Elgin marbles to Greece, reflecting the view held by the majority of the British public on this matter and international instruments designating the Parthenon a world cultural heritage site”. According to Professor Francesco Buranelli, the head of the Pontifical Commission for the Cultural Heritage (Vatican), Lord Elgin’s act “left a deep wound in European cultural sensitivity”. That needed sensitivity on Europe’s Cultural Heritage is mentioned in Article 151 of the E.U. Treaty, which stipulates that the Community must support and supplement action by the Member States in order to conserve and safeguard cultural heritage of European significance. The Athens Parthenon is definitely Europe’s landmark monument, epitomizing its historical, political and cultural roots. www.elginism.com/new-acropolis-museum/eight-reasons-why-the-elgin-marbles-should-be-returned-to-greece/20090225/1754/At last an answer and detailed too thank you. The reason I ask is not just around the Elgin marbles but so much else,as an aside is it correct they were being destroyed by the locals when they were taken? As I said this is not just about the marbles we appear to be in an age where we are supposed to be ashamed of our history and expected to pay restitution to any that ask. It would be interesting to see how far this should go back who is held liable for their history or not and why.
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Post by sandypine on May 13, 2023 20:34:05 GMT
No, far more complex, but there is little doubt the Scottish economy bounded away within a few decades of the Union and Scottish representation in Empire was far more than her representation in the UK. I am not in the blame game just stating the facts. There is little doubt that the act of Union played its part in the Scottish Enlightenment which removed politicians from Scotland and dumped them in England, just as we dumped them all back again in Edinburgh. Eh?
investigation by the scottish historian michael lynch showed that in the decade running up to 1707 , the scottish economy was growing by 2.5 % per annum , and from 1707 on wards for the next century , the scottish economy went into freefall.
Dont understand your point? Scotland made up something like 20 % of the then uk population . Scotland never represented 20 % or more of the people administrating the empire.
you arent stating any facts. You are voicing an uninformed opinion.
Its inarguable that there were many individuals from many countires that personally benefitted for their own selfish reasons from the empire. However , conflating countries like scotland or ireland , with indivdual people who jumped aboard the empire bus is a nonsense.
If scotland and ireland the countires were so on board with empire , why were the irish in constant rebellion to englands rule , and subsequently won a war in the early twentieth century and 26 county independence?
Why was scotland in armed rebellion for the first 120 years of union , with independence movements thorughout the tweniteth century culminating in the two devolution referendums to appease those who wanted out?
Your warped historical revisionism conflcits with reality.
The economy took time to take off and there is little doubt the Jacobite activities did not help nor did some of the taxes imposed but once the benefits of Union were realised then growth was rapid The growth from 1700 was from the context that the Darien episode had effectively bankrupted the nation and it was starting from a very low point. In 1973 there was no immediate benefit of the EEC, like all such agreements benefits took time to accrue and that was in a time where economic activity was at a much faster pace. You cannot remove the effect of the enlightenment with the influence of Scots throughout the Empire. Scots names pop up all over the place where the first actions of the Empire and frequently the best occurred. Their representation as the movers and shapers of Empire is how you measure. From Hudson Bay who employed Orkney men as a matter of policy to Livingstone Scottish names abound. Ireland is a far more complex issue than Scotland as there were the new Irish from ex Norman/Angevin/Viking/Welsh/English stock and the Ulster Scots rooted in Presbyterianism. Scotland was not in armed rebellion, there was a dispute as regards the Royal Succession which divided Scotland as much as it threatened England and in the final analysis was poorly supported by the 45 and most Scots were glad to see the back of the Young Chevalier. The independence movements when I was a youth were pretty poorly supported and referred to often as the Tartan Tories. I went to see the result declared in Stirling when McIntyre lost to a Labour postman and in keeping with the rabble the winning candidate was shouted down. It has been downhill since then. EDIT Indeed the subject of this thread involves a Scotsman
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Post by Montegriffo on May 13, 2023 20:43:33 GMT
I think they should be returned because they are part of Greece's cultural heritage. Here's why I am persuaded: 1. Lord Elgin action’s illegality: Thomas Bruce, then British ambassador in Istanbul, did not have the legal right to remove (in 1801) the ancient masterpieces from the Parthenon. Officially, Elgin obtained a ‘firman’ from the Ottoman authorities but when the British Parliament asked to examine it, he couldn’t submit it. What he submitted was an italian translation of the official document. I reproduce from an interesting article of the American Committee for the Reunification of the Parthenon Sculptures, Inc: “Specialists in Ottoman Law point out that the document does not carry the signature and seal of the Sultan or his customary invocation to God, and without them, Elgin and by extension the British Museum have no legal evidence of ownership of the Parthenon Sculptures” (Newsletter, Nov.2008). Therefore, the argument of the British Museum’s administrations that the Sculptures consist “legal property of the museum” is doubted. How proper is to base the ‘legality’ of Parthenon Marbles’ ownership on a translated version of a letter probably produced by a low-ranked Ottoman official? 2. The precedent cases of artifacts restitution: Two years ago, the Los Angeles-based J.Paul Getty Museum returned to Greece a 4th century BC Macedonian gold wreath as well as a 6th century BC marble statue of a woman; eight years ago, in 2001, the same museum had handed back to Italy almost 500 ancient objects. Going back three years ago, in September 2006, the Heidelberg University of Germany handed over to Greece a small piece of Parthenon’s north frieze. In 2008 the Vatican decided to give back a Parthenon fragment, while on the same year a British court ordered the return of a Byzantine icon which had been stolen 30 years ago from a Greek monastery. Furthermore, during last September, in a gesture of meritorious goodwill Italy gave back to Greece a fragment of the Sculptures which had been acquired by a museum in Palermo, Sicily; its worthy of remark that the Italian President Giorgio Napolitano personally presented the restored fragment to his Greek counterpart Karolos Papoulias. 3. Complete view of Parthenon: Almost 99% of what survives of Parthenon’s masterpieces is exposed in London and Athens According to Professor A.M Snodgrass of Cambridge University, “among these pieces, the British Museum possesses fifty-five of the fifty-six frieze slabs, all twenty of, the pediment figures and fifteen of the sixteen metopes, nearly 98% in total” (Appendix B, British Committee’s submission to the Select Committee of the House of Commons). But the removed Marbles consist core part of the whole architectural environment of the Acropolis and their position is in sight of the building to which they actually belong and not in the hall of a museum in the other side of Europe. As Professor Snodgrass writes “if the aim is to investigate the meaning attached to the original design as a whole, it would be a huge gain to have virtually all the surviving material in one location” – that location is the New Acropolis Museum, in the shadow of the Parthenon. The visitor in the renowned British Museum sees some random parts of the Parthenon, along with other ancient masterpieces of other civilizations and historical periods. But if the Sculptures will be exhibited in the modern Acropolis Museum, the visitor will have the great opportunity to appreciate them in their original environment, in sight of the Parthenon and very close to other known ancient Athenian sites (e.g. ancient market, Olympic Zeus Temple etc). 4. A UNESCO World Heritage Site dismembered: The Acropolis’ Parthenon consists a unique case of a crudely dismembered ancient building. What Lord Elgin did in the start of the 19th Century was an action of disgrace, against a monument which stances a landmark of Western Civilization. Because the actual meaning of Parthenon’s appreciation is in its unique universal value as a great symbol of Democracy – therefore, a gesture of respect which would cancel Elgin’s irreverent act would be the restoration of the removed artifacts and the reunification of the twenty-four centuries old monument. 5. Public Opinion’s stance: If the restitution of the Marbles was fully dependent on what people think, then the British Museum should have handed them back to Greece. According to a poll conducted during 2008 by the British Ipsos-Mori firm (2,109 persons in 198 UK locations), 69% of those who were familiar with the issue were in favour of Sculptures’ restitution to Greece, while only 13% expressed opposition. In comparison with a poll conducted in 2002, there is a 7% increase in the number of the British people who support the Marbles’ restoration. Previous polls, conducted in the United Kingdom during the 90s, had similar results, proving that the majority of Britons (who are familiar with the issue) are in favour of Sculptures’ restitution. 6. International Pressure: The campaign for the restoration of the ancient masterpieces back to Greece has gained international recognition. From Australia to the United States, significant celebrities from the political and cultural scene, as well as distinguished scholars, have favoured the Parthenon Sculptures’ Restitution. International organizations such as the European Parliament and UNESCO have formally supported that aim, while politicians from various countries have expressed their keen interest towards the reunification of the Parthenon. For example, in the UK, the late Robin Cook, MP and Secretary of State (1997-2001), was in favour of Sculpture’s restoration. The former Mayor of London, Ken Livingstone, had said that the Marbles “should return home once there is a proper place for them there”, while the Labour Euro-MP Alfred Lomas has repeatedly urged the British government to take positive initiatives on the issue. Moreover, in 2000, U.S. Senator Peter Fitzgerald of Illinois introduced a resolution (S.Con.Res 127) in which he expressed the “sense of the Congress that the Parthenon Marbles should be returned to Greece”. 7. A European Cultural Heritage Issue: Except from a bilateral issue between Greece and the United Kingdom, the case of Parthenon’s reunification is a matter of E.U.’s common Cultural Heritage. On January 1999, the European Parliament adopted a declaration in which it assured its support “for the return of the Elgin marbles to Greece, reflecting the view held by the majority of the British public on this matter and international instruments designating the Parthenon a world cultural heritage site”. According to Professor Francesco Buranelli, the head of the Pontifical Commission for the Cultural Heritage (Vatican), Lord Elgin’s act “left a deep wound in European cultural sensitivity”. That needed sensitivity on Europe’s Cultural Heritage is mentioned in Article 151 of the E.U. Treaty, which stipulates that the Community must support and supplement action by the Member States in order to conserve and safeguard cultural heritage of European significance. The Athens Parthenon is definitely Europe’s landmark monument, epitomizing its historical, political and cultural roots. www.elginism.com/new-acropolis-museum/eight-reasons-why-the-elgin-marbles-should-be-returned-to-greece/20090225/1754/At last an answer and detailed too thank you. The reason I ask is not just around the Elgin marbles but so much else,as an aside is it correct they were being destroyed by the locals when they were taken? As I said this is not just about the marbles we appear to be in an age where we are supposed to be ashamed of our history and expected to pay restitution to any that ask. It would be interesting to see how far this should go back who is held liable for their history or not and why. Many were picked out of the rubble. The Parthenon had been used as a castle and gunpowder store during the 6th Venetian Ottoman war in the 17th century and was destroyed when a Venetian shell hit and ignited the gunpowder. The locals had been looting the sculptures and other treasures for over a hundred years by the time Elgin got there mainly for use in construction and the production of lime. It is doubtful that any of the marbles would have survived if Elgin had not removed them and sent them to Malta at a personal cost equivalent to £5 million in today's money. It is unjust to simply label him a thief as some have done.
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Post by Ripley on May 13, 2023 20:52:53 GMT
I think they should be returned because they are part of Greece's cultural heritage. Here's why I am persuaded: 1. Lord Elgin action’s illegality: Thomas Bruce, then British ambassador in Istanbul, did not have the legal right to remove (in 1801) the ancient masterpieces from the Parthenon. Officially, Elgin obtained a ‘firman’ from the Ottoman authorities but when the British Parliament asked to examine it, he couldn’t submit it. What he submitted was an italian translation of the official document. I reproduce from an interesting article of the American Committee for the Reunification of the Parthenon Sculptures, Inc: “Specialists in Ottoman Law point out that the document does not carry the signature and seal of the Sultan or his customary invocation to God, and without them, Elgin and by extension the British Museum have no legal evidence of ownership of the Parthenon Sculptures” (Newsletter, Nov.2008). Therefore, the argument of the British Museum’s administrations that the Sculptures consist “legal property of the museum” is doubted. How proper is to base the ‘legality’ of Parthenon Marbles’ ownership on a translated version of a letter probably produced by a low-ranked Ottoman official? 2. The precedent cases of artifacts restitution: Two years ago, the Los Angeles-based J.Paul Getty Museum returned to Greece a 4th century BC Macedonian gold wreath as well as a 6th century BC marble statue of a woman; eight years ago, in 2001, the same museum had handed back to Italy almost 500 ancient objects. Going back three years ago, in September 2006, the Heidelberg University of Germany handed over to Greece a small piece of Parthenon’s north frieze. In 2008 the Vatican decided to give back a Parthenon fragment, while on the same year a British court ordered the return of a Byzantine icon which had been stolen 30 years ago from a Greek monastery. Furthermore, during last September, in a gesture of meritorious goodwill Italy gave back to Greece a fragment of the Sculptures which had been acquired by a museum in Palermo, Sicily; its worthy of remark that the Italian President Giorgio Napolitano personally presented the restored fragment to his Greek counterpart Karolos Papoulias. 3. Complete view of Parthenon: Almost 99% of what survives of Parthenon’s masterpieces is exposed in London and Athens According to Professor A.M Snodgrass of Cambridge University, “among these pieces, the British Museum possesses fifty-five of the fifty-six frieze slabs, all twenty of, the pediment figures and fifteen of the sixteen metopes, nearly 98% in total” (Appendix B, British Committee’s submission to the Select Committee of the House of Commons). But the removed Marbles consist core part of the whole architectural environment of the Acropolis and their position is in sight of the building to which they actually belong and not in the hall of a museum in the other side of Europe. As Professor Snodgrass writes “if the aim is to investigate the meaning attached to the original design as a whole, it would be a huge gain to have virtually all the surviving material in one location” – that location is the New Acropolis Museum, in the shadow of the Parthenon. The visitor in the renowned British Museum sees some random parts of the Parthenon, along with other ancient masterpieces of other civilizations and historical periods. But if the Sculptures will be exhibited in the modern Acropolis Museum, the visitor will have the great opportunity to appreciate them in their original environment, in sight of the Parthenon and very close to other known ancient Athenian sites (e.g. ancient market, Olympic Zeus Temple etc). 4. A UNESCO World Heritage Site dismembered: The Acropolis’ Parthenon consists a unique case of a crudely dismembered ancient building. What Lord Elgin did in the start of the 19th Century was an action of disgrace, against a monument which stances a landmark of Western Civilization. Because the actual meaning of Parthenon’s appreciation is in its unique universal value as a great symbol of Democracy – therefore, a gesture of respect which would cancel Elgin’s irreverent act would be the restoration of the removed artifacts and the reunification of the twenty-four centuries old monument. 5. Public Opinion’s stance: If the restitution of the Marbles was fully dependent on what people think, then the British Museum should have handed them back to Greece. According to a poll conducted during 2008 by the British Ipsos-Mori firm (2,109 persons in 198 UK locations), 69% of those who were familiar with the issue were in favour of Sculptures’ restitution to Greece, while only 13% expressed opposition. In comparison with a poll conducted in 2002, there is a 7% increase in the number of the British people who support the Marbles’ restoration. Previous polls, conducted in the United Kingdom during the 90s, had similar results, proving that the majority of Britons (who are familiar with the issue) are in favour of Sculptures’ restitution. 6. International Pressure: The campaign for the restoration of the ancient masterpieces back to Greece has gained international recognition. From Australia to the United States, significant celebrities from the political and cultural scene, as well as distinguished scholars, have favoured the Parthenon Sculptures’ Restitution. International organizations such as the European Parliament and UNESCO have formally supported that aim, while politicians from various countries have expressed their keen interest towards the reunification of the Parthenon. For example, in the UK, the late Robin Cook, MP and Secretary of State (1997-2001), was in favour of Sculpture’s restoration. The former Mayor of London, Ken Livingstone, had said that the Marbles “should return home once there is a proper place for them there”, while the Labour Euro-MP Alfred Lomas has repeatedly urged the British government to take positive initiatives on the issue. Moreover, in 2000, U.S. Senator Peter Fitzgerald of Illinois introduced a resolution (S.Con.Res 127) in which he expressed the “sense of the Congress that the Parthenon Marbles should be returned to Greece”. 7. A European Cultural Heritage Issue: Except from a bilateral issue between Greece and the United Kingdom, the case of Parthenon’s reunification is a matter of E.U.’s common Cultural Heritage. On January 1999, the European Parliament adopted a declaration in which it assured its support “for the return of the Elgin marbles to Greece, reflecting the view held by the majority of the British public on this matter and international instruments designating the Parthenon a world cultural heritage site”. According to Professor Francesco Buranelli, the head of the Pontifical Commission for the Cultural Heritage (Vatican), Lord Elgin’s act “left a deep wound in European cultural sensitivity”. That needed sensitivity on Europe’s Cultural Heritage is mentioned in Article 151 of the E.U. Treaty, which stipulates that the Community must support and supplement action by the Member States in order to conserve and safeguard cultural heritage of European significance. The Athens Parthenon is definitely Europe’s landmark monument, epitomizing its historical, political and cultural roots. www.elginism.com/new-acropolis-museum/eight-reasons-why-the-elgin-marbles-should-be-returned-to-greece/20090225/1754/At last an answer and detailed too thank you. The reason I ask is not just around the Elgin marbles but so much else,as an aside is it correct they were being destroyed by the locals when they were taken? As I said this is not just about the marbles we appear to be in an age where we are supposed to be ashamed of our history and expected to pay restitution to any that ask. It would be interesting to see how far this should go back who is held liable for their history or not and why. Wikipedia offers the back story. Remember that Greece was under the control of the Ottomans at the time. Built in the ancient era, the Parthenon was extensively damaged by earthquakes. Also, during the Sixth Ottoman–Venetian War (1684–1699) against the Ottoman Empire, the defending Turks fortified the Acropolis and used the Parthenon as a castle and gunpowder store. On 26 September 1687, a Venetian artillery round, fired from the Hill of Philopappus, ignited the gunpowder, and the resulting explosion blew up the Parthenon, and the building was partly destroyed.[14] The explosion blew out the building's central portion and caused the cella's walls to crumble into rubble.[15] Three of the four walls collapsed, or nearly so, and about three-fifths of the sculptures from the frieze fell.[16] About three hundred people were killed in the explosion, which showered marble fragments over a significant area.[17] For the next century and a half, portions of the remaining structure were scavenged for building material and looted of any remaining objects of value.[18] In November 1798, the Earl of Elgin was appointed as "Ambassador Extraordinary and Minister Plenipotentiary of His Britannic Majesty to the Sublime Porte of Selim III, Sultan of Turkey" (Greece was then part of the Ottoman Empire). Before his departure to take up the post he had approached officials of the British government to inquire if they would be interested in employing artists to take casts and drawings of the sculptured portions of the Parthenon. According to Elgin, "the answer of the Government ... was entirely negative."[5] Elgin decided to carry out the work himself, and employed artists to take casts and drawings under the supervision of the Neapolitan court painter, Giovanni Lusieri.[5] According to a Turkish local, marble sculptures that fell were being burned to obtain lime for building.[5] Although his original intention was only to document the sculptures, in 1801 Elgin began to remove material from the Parthenon and its surrounding structures[19] under the supervision of Lusieri. Pieces were also removed from the Erechtheion, the Propylaia, and the Temple of Athena Nike, all inside the Acropolis.[11] The marbles were taken from Greece to Malta, then a British protectorate, where they remained for a number of years until they were transported to Britain.[20] The excavation and removal was completed in 1812 at a personal cost to Elgin of £74,240[5][21] (equivalent to £4,700,000 in 2019 pounds). Elgin intended to use the marbles for a private museum to enhance the art of the nation,[22] but a costly divorce suit forced him to sell them to settle his debts.[23] Elgin sold the Parthenon Marbles to the British government for £35,000,[5] less than half of what it cost him to procure them, declining higher offers from other potential buyers, including Napoleon. en.wikipedia.org/wiki/Elgin_MarblesGreece was part of the Ottoman empire at the time. If fallen sculptures were being used to obtain lime for building, it's conceivable this was being done by the Turks, not the Greeks. On a trip to Greece a few years ago, we visited the Acropolis where a tour director delivered an impassioned speech imploring the British tourists to tell their government to return these artefacts home where they belong. I think the Greeks have a compelling case.
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Post by sandypine on May 13, 2023 20:53:08 GMT
At last an answer and detailed too thank you. The reason I ask is not just around the Elgin marbles but so much else,as an aside is it correct they were being destroyed by the locals when they were taken? As I said this is not just about the marbles we appear to be in an age where we are supposed to be ashamed of our history and expected to pay restitution to any that ask. It would be interesting to see how far this should go back who is held liable for their history or not and why. Many were picked out of the rubble. The Parthenon had been used as a castle and gunpowder store during the 6th Venetian Ottoman war in the 17th century and was destroyed when a Venetian shell hit and ignited the gunpowder. The locals had been looting the sculptures and other treasures for over a hundred years by the time Elgin got there mainly for use in construction and the production of lime. It is doubtful that any of the marbles would have survived if Elgin had not removed them and sent them to Malta at a personal cost equivalent to £5 million in today's money. It is unjust to simply label him a thief as some have done. He seems to have got permission from the Ottoman Turks who were the official authority in Greece. In keeping with many things if British people had not saved 'priceless' artifacts the locals would not have cared much about them at all.
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Post by Ripley on May 13, 2023 21:00:21 GMT
Elgin made no profit from his sale of the marbles, and I'm willing to give him the benefit of the doubt as to his motives, but that was then, and this is now. Greece is no longer part of the Ottoman empire and the Greeks opened an ultra-modern new Acropolis museum costing 130 million Euros a few years back with almost 14,000 sq metres of exhibition space, dismantling the years-long argument that there isn’t a proper place to host the ancient sculptures in Athens.
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Post by sandypine on May 13, 2023 21:18:16 GMT
Elgin made no profit from his sale of the marbles, and I'm willing to give him the benefit of the doubt as to his motives, but that was then, and this is now. Greece is no longer part of the Ottoman empire and the Greeks opened an ultra-modern new Acropolis museum costing 130 million Euros a few years back with almost 14,000 sq metres of exhibition space, dismantling the years-long argument that there isn’t a proper place to host the ancient sculptures in Athens. I think it has moved on from that. Returning anything now will strengthen the case for many other artifacts to go back home. Whatever the arguments it rests on the fact that where do we draw the line in history when a wrong must be righted. It is the eternal question that does not seem to have an answer.
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Post by Dan Dare on May 13, 2023 21:32:40 GMT
I think if some formula could be devised which coupled the return of the Koh-i-noor with the return of an appropriate number of Indian colonists then there would be little cause for complaint. Ditto Benin bronzes and Nigerians, and so forth.
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Post by Montegriffo on May 13, 2023 21:32:49 GMT
Elgin made no profit from his sale of the marbles, and I'm willing to give him the benefit of the doubt as to his motives, but that was then, and this is now. Greece is no longer part of the Ottoman empire and the Greeks opened an ultra-modern new Acropolis museum costing 130 million Euros a few years back with almost 14,000 sq metres of exhibition space, dismantling the years-long argument that there isn’t a proper place to host the ancient sculptures in Athens. I think it has moved on from that. Returning anything now will strengthen the case for many other artifacts to go back home. Whatever the arguments it rests on the fact that where do we draw the line in history when a wrong must be righted. It is the eternal question that does not seem to have an answer. That does seem to be the issue stopping the British Museum from returning the marbles. If they could just return them I suspect they would but then they would have to give up a great many other artifacts from around the world.
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Post by Pacifico on May 13, 2023 21:37:11 GMT
I think it has moved on from that. Returning anything now will strengthen the case for many other artifacts to go back home. Whatever the arguments it rests on the fact that where do we draw the line in history when a wrong must be righted. It is the eternal question that does not seem to have an answer. That does seem to be the issue stopping the British Museum from returning the marbles. If they could just return them I suspect they would but then they would have to give up a great many other artifacts from around the world. It's not up to the British Museum - it is against the Law for the major museums to return artifacts. Returning or not is a decision for the Government of the day.
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